カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A frontal enthroned figure of Saint Peter, patron saint of Bremen, is depicted in a hieratic, Romanesque-influenced style, wearing episcopal vestments and a crown or nimbus. The saint holds a large key — the symbol of his apostolic authority and the emblem of the city — prominently in one hand. The figure is seated between architectural elements suggestive of a throne or church setting, with the city's small shield visible in the lower field. A circular Latin legend, partially abbreviated, surrounds the entire composition within a beaded border. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Bremen struck this half thaler in 1499 under the authority of the city's independent mint, which operated with considerable autonomy as the Hanseatic port consolidated its commercial dominance over North Sea trade routes. The late fifteenth century was a particularly tense period for Bremen's monetary affairs — the city was actively negotiating its status within the Holy Roman Empire while simultaneously defending its mint rights against encroachment from the Archbishop of Bremen, a jurisdictional conflict that had simmered for decades.
At this date, the thaler denomination was only just emerging as a standardized unit across German-speaking lands, making this half-thaler an early participant in that transition.