1/2 Skar - In the name of Xuantong, 1908-1912

发行方 Tibet
年份 1910
类型 Standard circulation coin
面值 1/2 Skar (1/200)
货币 Srang (1792-1959)
材质 Copper
重量 3.59 g
直径
厚度
形状 Round
制作工艺 Milled
方向 Medal alignment ↑↑
雕刻师
流通至
参考资料 Y#A4
正面描述 Dragon with clouds around surrounded by Tibetan characters.
正面文字 Tibetan
正面铭文 ཤོན་ ཐོང་ བོད་ཀྱི་རིན་ ཀྱི་ རིན་ ཁོར་ སྐར་ ཆེ་
(Translation: shon thong bod kyi rin khor skar che Xuantong / Precious coin of half-Skar)
背面描述 Four Chinese ideograms read top to bottom, right to left with flower in the centre.
背面文字 Chinese (traditional, regular script)
背面铭文  宣 藏 寶  統
(Translation: Xuan Tong Bao Cang Xuantong (Emperor) / Tibetan coin)
边缘 Smooth.
铸币厂
铸造量 ND (1910) - -
Numisquare 编号 1398021590
附加信息

Historical Context: This 1910 1/2 Skar copper coin from Tibet is issued "in the name of Xuantong," referencing the regnal year of the last Qing Emperor, Puyi. This period (1908-1912) marks the twilight of imperial China and a complex phase for Tibet, caught between nominal Chinese suzerainty and increasing British influence. The coin's dating system underscores these fragile political ties, offering vital numismatic evidence of the era's geopolitical tensions as Tibet sought greater autonomy.

Artistry: The engraver for this 1/2 Skar remains anonymous, typical for Tibetan coinage. The design adheres to a distinctive indigenous Tibetan stylistic school, characterized by bold, hand-engraved dies. The obverse typically features the Eight Auspicious Symbols (Tashi Tagye) encircling a central lotus, while the reverse displays a Dharma Chakra with the denomination and date in Tibetan script. This artistry, though lacking Western precision, conveys a unique spiritual and cultural identity.

Technical/Grading: As a copper issue, the 1/2 Skar often exhibits variable strike quality. High-points for wear and strike analysis include the central lotus petals, the raised elements of the Dharma Chakra, and the outer edges of the Tibetan script. Planchets are frequently unevenly struck, leading to soft details, particularly on finer symbolic elements or legend peripheries. Centering can also be an issue. Surface imperfections and varying degrees of patination are common; original mint luster is rarely seen.

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