Catalogo
| Emittente | Italian Somaliland |
|---|---|
| Anno | 1910 |
| Tipo | Coin pattern |
| Valore | 1/2 Rupia |
| Valuta | Rupia (1893-1925) |
| Composizione | Silver (.917) |
| Peso | 2.1960 g |
| Diametro | 19 mm |
| Spessore | |
| Forma | Round |
| Tecnica | Milled |
| Orientamento | |
| Incisore/i | Luigi Giorgi |
| In circolazione fino al | |
| Riferimento/i | KM#Pr7 |
| Descrizione del dritto | Vittorio Emanuele III |
|---|---|
| Scrittura del dritto | Latin |
| Legenda del dritto |
VITTORIO EMANVELE III RE D`ITALIA (Translation: Victor Emmanuel II King of Italy) |
| Descrizione del rovescio | |
| Scrittura del rovescio | Arabic, Latin |
| Legenda del rovescio |
SOMALIA ITALIANA MEZZA RUPIA R ·1910· PROVA (Translation: Italian Somalia One half Rupee) |
| Bordo | |
| Zecca | |
| Tiratura |
1910 R - - |
| ID Numisquare | 3694351790 |
| Informazioni aggiuntive |
Historical Context: This 1910 1/2 Rupia trial strike for Italian Somaliland emerges from the reign of Victor Emmanuel III, a monarch deeply fascinated by numismatics. His era marked a period of significant Italian colonial expansion, with Somaliland serving as a key territory. The adoption of the "Rupia" denomination reflected an economic strategy to align with existing regional currencies, particularly those influenced by British India, facilitating trade and administration within the East African colonies. This trial piece represents a crucial developmental stage in establishing a distinct colonial coinage.
Artistry: The design, likely executed by a master engraver from the Regia Zecca di Roma such as Giuseppe Giorgi, exemplifies the prevalent stylistic trends of the early 20th century. The obverse typically features a realistic, dignified portrait of Victor Emmanuel III, rendered with classical precision characteristic of Italian numismatic art. The reverse would present the denomination and possibly colonial emblems, all executed with a blend of neoclassical restraint and subtle Art Nouveau influences, ensuring both imperial authority and aesthetic appeal.
Technical/Grading: As a trial strike (KM#Pr7), this piece offers unique insights into minting processes. High points for evaluation include the intricate details of Victor Emmanuel III's hair and ear on the obverse, and the sharpness of the lettering and any small devices on the reverse. Trial strikes often exhibit exceptional technical qualities, such as a full, crisp strike, sometimes with proof-like fields, due to careful handling and experimental die work. Variations in planchet preparation or strike pressure might also be observed, distinguishing it from regular issue coinage.