| 发行方 | Bhopal, Princely state of |
|---|---|
| 年份 | 1817-1824 |
| 类型 | Standard circulation coin |
| 面值 | 1/2 Rupee |
| 货币 | Rupee (1723-1947) |
| 材质 | Silver |
| 重量 | 5.3 g |
| 直径 | 16 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Hammered |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | KM#C25 |
| 正面描述 | Lettering detailing ruler (often partial cut off) and mint. |
|---|---|
| 正面文字 | Persian |
| 正面铭文 | Muhammad Akbar Shah II Daulatgarh workshop |
| 背面描述 | Detail about (Royal) date and with value. Trident as a symbol. |
| 背面文字 | Persian |
| 背面铭文 | Zarb sana julus |
| 边缘 | Plain |
| 铸币厂 | |
| 铸造量 |
1232 (1817) - RY 11 - 1239 (1824) - RY 18 - |
| Numisquare 编号 | 1677117870 |
| 附加信息 |
Historical Context: This 1/2 Rupee coin, issued by the Princely State of Bhopal between 1817 and 1824, bears the name of the Mughal Emperor Muhammad Akbar II. This practice underscores Bhopal's continued nominal allegiance to the declining Mughal authority, even as the state navigated its complex relationship with the burgeoning British Empire. The period immediately followed the 1818 Anglo-Bhopal Treaty, which established Bhopal as a British protectorate. Thus, the coin serves as a tangible artifact of Bhopal's semi-autonomous status and its strategic balancing act between traditional loyalties and new geopolitical realities in early 19th-century India.
Artistry: While the specific engraver remains anonymous, typical for princely state mints, the coin exemplifies the provincial Mughal stylistic school. Its small 16mm flan would have necessitated a compact design, primarily featuring calligraphic inscriptions in Persian or Urdu. These legends would have detailed the name of Muhammad Akbar II, the mint location of Bhopal, and the Hijri date, possibly accompanied by minimal decorative elements. The overall aesthetic prioritizes legibility of imperial and local authority over elaborate artistic flourishes, characteristic of utilitarian coinage of the era.
Technical/Grading: Struck in silver with a weight of 5.3 grams, this 1/2 Rupee often exhibits varying strike quality. High-points for wear typically include the central portions of the calligraphic legends, particularly the raised serifs and diacritical marks. Due to the small planchet size, strikes can be off-center, leading to partial or crowded legends at the edges. Minor die flaws, planchet irregularities, and variable sharpness are common, reflecting the localized minting practices of the period. A well-centered strike with full legends is highly desirable for collectors.