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1/2 Rupee / Deb Period III
| Uitgever | Bhutan |
|---|---|
| Jaar | 1835-1910 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Copper |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central field dominated by a teardrop or water-drop symbol flanked by geometric Buddhist auspicious devices, including a square diaper pattern to the right containing a central dot. A reversed swastika (fylfot) appears in the lower left quadrant, and a crescent motif is visible at the lower center. The overall design is arranged within a linear border framework characteristic of Bhutanese hammered coinage, with additional symbolic elements distributed across the upper field. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Bhutan's coinage during this period was produced by hand-striking methods that had changed little over centuries, with dies cut locally and planchets hammered rather than milled. The result is that no two specimens are quite alike in shape or strike, and attribution within the Deb Raja period subdivisions relies heavily on die characteristics rather than any official mint record — Bhutan kept none in any recoverable form.
KM#9.2 is distinguished from the closely related 9.1 primarily by die details that reflect successive generations of local craftsmen reinterpreting worn or damaged master dies.