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| Uitgever | J. Conder, Ipswich |
|---|---|
| Jaar | 1794 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Milled |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Diagonally milled |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
James Conder was himself a draper in Ipswich, but his real obsession was tokens. He became the first systematic cataloguer of 18th-century British provincial tokens, publishing his landmark work in 1798 — meaning this piece was struck while he was actively assembling the very collection that would define the field. Issuing a token bearing your own name while simultaneously writing the definitive reference on such tokens is either audacious or simply practical; Conder was probably both.
The 1794 date places it in the heart of the "token mania" period, when a chronic shortage of regal copper coinage forced tradesmen across Britain to produce their own halfpennies. Conder's Ipswich pieces are documented under DH#35 in Dalton & Hamer.