目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Draped bust of King George III facing left, rendered in a crude imitative style characteristic of privately struck regal imitations produced for circulation in the Canadian provinces. The portrait shows the king with flowing hair tied at the nape, truncated at the shoulder. The surrounding field is largely bare, and the legends, typical of regal halfpenny prototypes, are either absent or illegible due to the debased die work. The overall execution is rough, consistent with an unofficial striking intended to supplement the chronic small-change shortage of the period. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 1835: ND (1835) |
| 附加信息 |
These so-called "regal imitations" occupied a legal grey zone: they mimicked official British copper coinage closely enough to circulate at face value while being produced entirely outside Royal Mint authority. By the 1830s, Lower Canada was chronically short of small change, and privately struck tokens filled the gap so effectively that colonial merchants rarely questioned their legitimacy. The CCT designation places this piece within Breton's landmark 1894 catalogue of Canadian colonial issues, which remains the foundational reference for this series.