Catalog
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| Issuer | Canadian provinces |
|---|---|
| Year | 1835 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | 4.0 g |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
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| Technique | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse script | Latin |
| Obverse lettering | GEORGIUS III DEI GRATIA (often blundered) |
| Reverse description | Log in to see details |
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| Reverse lettering | Log in to see details |
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| Additional information |
Regal imitations occupied a legal grey zone in early nineteenth-century British North America — not counterfeits in the criminal sense, but privately manufactured tokens designed to exploit a chronic shortage of official small change. The "George III left" designation reflects the anachronistic portrait choice: George III had died in 1820, yet his likeness continued circulating on these pieces well into the 1830s because it conferred an air of legitimacy that purely commercial tokens lacked.
CCT BL-4 is documented within Charlton's taxonomy of blacksmith and regal imitation tokens, a category notorious for die inconsistency across strikes.