Catalog
| Issuer | Isle of Man |
|---|---|
| Year | 1733 |
| Type | Standard circulation coin |
| Value | 1/2 Penny (1⁄560) |
| Currency | Pound (1709-1839) |
| Composition | Copper |
| Weight | 7.10 g |
| Diameter | 27 mm |
| Thickness | |
| Shape | Round |
| Technique | Milled |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | KM#3 |
| Obverse description | Eagle and child on cap of maintenance (Stanley crest) |
|---|---|
| Obverse script | Latin |
| Obverse lettering | SANS · CHANGER 1733 |
| Reverse description | Triskeles divide ID 1/2 (for `Iacobus Darbiensis, 1/2 [Penny]) |
| Reverse script | Latin |
| Reverse lettering |
QUOCUNQUE · IECERIS · STABIT · I D 1/2 (Translation: Whereever you throw it, it will stand) |
| Edge | |
| Mint | |
| Mintage |
1733 - - 96 000 1733 - Proof - |
| Numisquare ID | 2887087080 |
| Additional information |
Historical Context: The 1733 Isle of Man 1/2 Penny was issued under James Stanley, 10th Earl of Derby, who held the ancient title of Lord of Mann. This period marked a crucial era where the Lords retained quasi-sovereign rights, including the authority to strike coinage. These copper issues were vital for local commerce, alleviating a persistent scarcity of small change on the island. The 1733 mintage represents one of the final coinages under the Stanley dynasty before the lordship transitioned to the Atholl family.
Artistry: The design, likely executed by an unattributed London die-sinker, reflects the robust, yet unpretentious, style typical of early 18th-century British provincial coinage. The obverse features a dignified bust of James Stanley facing right, often depicted in contemporary attire, encircled by his Latin titles. The reverse proudly displays the iconic Manx triskelion, three armored legs conjoined, accompanied by the island's enduring motto, "QVOCVNQVE IECERIS STABIT" (Whithersoever you throw it, it will stand), with the date below.
Technical/Grading: For optimal grading, collectors should examine the high-points of the Earl's wig, facial features, and shoulder drapery on the obverse. On the reverse, critical areas include the knees, feet, and the central juncture of the triskelion. Strikes from this era often exhibit variable quality, with unevenness or planchet irregularities being common. Uncirculated examples retain a desirable satiny mint luster, though copper is prone to environmental toning and surface imperfections, which should be assessed carefully.