Katalog
| Emitent | New Guinea |
|---|---|
| Rok | 1929 |
| Typ | Coin pattern |
| Nominał | 1/2 Penny (1⁄480) |
| Waluta | Pound (1915-1966) |
| Skład | Nickel |
| Waga | |
| Średnica | 19 mm |
| Grubość | 1 mm |
| Kształt | Round with a round hole |
| Technika | Milled |
| Orientacja | Medal alignment ↑↑ |
| Rytownik(zy) | George Kruger Gray |
| W obiegu do | |
| Źródło(a) | KM#1a |
| Opis awersu | Crown with hole flanked by sceptres, lettering around |
|---|---|
| Pismo awersu | Latin |
| Legenda awersu | GEORGIUS V.DG REX ET IND.IMP. +1/2+ |
| Opis rewersu | Pattern around hole with lettering around |
| Pismo rewersu | Latin |
| Legenda rewersu | TERRITORY OF NEW GUINEA ·HALF·1929·PENNY· |
| Krawędź | Reeded |
| Mennica | |
| Nakład |
1929 - Proof - 20 |
| ID Numisquare | 2640716410 |
| Dodatkowe informacje |
Historical Context: The 1929 New Guinea 1/2 Penny George V Trial Strike originates from a pivotal period for the Australian Territory of New Guinea. Under Australian mandate post-World War I, the administration sought a stable currency system. King George V, reigning 1910-1936, oversaw an empire undergoing economic adjustments. This KM#1a trial signifies an experimental phase, testing nickel as a durable, cost-effective metal for low denominations, crucial for the local economy and colonial monetary policy.
Artistry: The obverse features the dignified laureate bust of King George V, facing left, a classic portrayal consistent with British Imperial numismatic tradition. This effigy, typically by Sir Edgar Bertram Mackennal, adheres to the classical revivalist style, emphasizing regal authority. While specific reverse details for this trial are not widely published, colonial halfpenny designs usually incorporated the denomination and date within a standard heraldic or symbolic framework, crafted for clear legibility and imperial identification.
Technical/Grading: Struck in nickel (19mm diameter), this trial strike's technical qualities are crucial. High-points for wear on the obverse include the King's hair above the ear, laurel wreath leaves, and nose tip. Reverse central design elements show earliest friction. As a trial, strike quality can vary; however, nickel often yields exceptionally sharp details due to its hardness, potentially revealing crisp lettering and intricate design elements, making pristine examples highly desirable for their technical merit.