Catalogus
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
| Uitgever | Archbishopric of Salzburg |
|---|---|
| Jaar | 1587-1612 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | 14.28 g |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | WOLF:TEOD:D:G:AREPS:SAL·AP.SE:LE· · |
| Beschrijving keerzijde | Saint Rupert, patron of Salzburg, depicted in full episcopal regalia seated on a throne and turned three-quarters to the left. He holds a salt cellar in his right hand and a crozier in his left, referencing both his saintly attributes and his role as founder of Salzburg. The figure is rendered in a formal, hieratic style characteristic of late Renaissance ecclesiastical coinage, with the Latin legend circumscribing the design within the square klippe field. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Wolf Dietrich von Raitenau, Archbishop of Salzburg from 1587, was among the most autocratic and culturally ambitious prelates of the Counter-Reformation. His reign ended in 1612 not through death but through forced abdication — he was arrested by Bavarian troops acting on behalf of his cousin Markus Sittikus, imprisoned in Hohensalzburg fortress, and died there five years later. The klippe format of this issue is deliberate: square-struck pieces from Salzburg of this period were produced as presentation pieces and donatives rather than for commerce.