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| Uitgever | Besançon, Free imperial city of |
|---|---|
| Jaar | 1655 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Gold (.986) |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Full-length frontal effigy of Emperor Charles V, crowned and clad in armour, standing facing right, holding an orb in his left hand and a scepter in his right. The imperial figure is rendered in a stiff, hieratic style characteristic of 16th-century German goldsmith work, set within the field against a plain background. The encircling Latin legend names the emperor and his imperial title. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | CAROLVS ✿ V ✿ IMPERATOR (Translation: Charles V, emperor.) |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Besançon occupied a peculiar constitutional position — nominally a Free Imperial City within the Holy Roman Empire, yet geographically encircled by the Franche-Comté, a Spanish Habsburg possession. The city's merchant class clung fiercely to their minting privileges, and when Charles V died in 1558, Besançon made the calculated decision to continue striking coinage in his name indefinitely. This "immobilization" was not sentimentality — it was a legal shield, preserving imperial city status against encroachment by Spanish authorities who would have preferred full absorption.
The practice continued for over a century, making 1655 simply one year among many in a long, deliberate fiction.