カタログ
| 発行体 | Liberia |
|---|---|
| 年号 | 1889 |
| 種類 | Coin pattern |
| 額面 | 1/2 Dollar |
| 通貨 | Dollar pattern strikes (1847-1890) |
| 材質 | Bronze |
| 重量 | 10.5 g |
| 直径 | 30.4 mm |
| 厚さ | 2 mm |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | KM#Pn39 |
| 表面の説明 | Capped bust of liberty facing left. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | REPUBLIC OF LIBERIA E |
| 裏面の説明 | Shielded arms within wreath, date and denomination within legend. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | HALF DOLLAR * 1889 * |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1889 - - |
| Numisquare ID | 1275386050 |
| 追加情報 |
Historical Context: Issued in 1889 during Hilary R. W. Johnson's presidency (1884-1892), this Liberian 1/2 Dollar Pattern signifies the young republic's aspirations for economic stability and national identity. As a nation founded by freed American slaves, Liberia frequently sought to establish a distinct monetary system. Patterns like this were crucial trials, signaling an intent to modernize its currency and assert sovereignty through tangible national media, often preceding broader coinage reforms.
Artistry: While the specific engraver is not definitively recorded, the stylistic approach aligns with late 19th-century European academic realism, typical of mints like the Royal Mint or prominent German private mints commissioned by Liberia. The obverse showcases the national coat of arms—a shield with a rising sun, palm tree, and ship—encircled by "REPUBLIC OF LIBERIA." The reverse presents the denomination "HALF DOLLAR" and the date within an ornate wreath, blending heraldic tradition with classical numismatic design principles.
Technical/Grading: Struck in bronze, a non-standard metal for a silver denomination, this 10.5-gram, 30.4-millimeter pattern exhibits exceptional technical qualities. As a trial strike, it typically boasts a sharp, full strike, often with a proof-like finish, showcasing intricate details. Key high-points for evaluation include the ship's rigging and palm fronds on the obverse shield, and the delicate textures within the reverse wreath. Rims should be well-formed, and fields generally pristine, reflecting its status as a presentation piece.