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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | The central vignette reproduces a polychrome ancient mosaic from Monastir, in which three Phoenician merchants engage in trade beside a large sailing vessel with billowing sails; a winged figure is perched at the bow of the ship, with marine fauna including a fish and a lobster rendered in the surrounding sea. The denomination is stated in the lower centre and at the lower left and right corners. The bank name runs across the top in a serif letterpress inscription. |
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| 签名 | 登录 以查看详情 |
| 防伪类型 | Watermark |
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| 备注 |
Tunisia's central bank had only been operating independently for a few years when this note was printed — the Banque Centrale de Tunisie was established in 1958, replacing the colonial-era Institut d'Émission, and the early 1960s series represented a deliberate effort to build a visually coherent national currency from scratch. De La Rue handled several of these early Tunisian issues, a common arrangement for newly independent francophone states that lacked domestic printing infrastructure.
The half-dinar denomination was always a minor workhorse of everyday transactions, and surviving examples in genuinely uncirculated state are harder to find than the higher values from the same series.