| Beschrijving voorzijde |
The central hole is between a crown at the top and the face value at the bottom. On the sides, two stylized lines run from the bottom of the coin to the edge of the cross. The legend is inserted between the line and the scroll, on both sides of the coin. |
| Schrift voorzijde |
Latin |
| Opschrift voorzijde |
EDWARD VII KING & EMPEROR HALF CENT |
| Beschrijving keerzijde |
2 pairs of elephant tusks with the value on top and the date on the bottom. |
| Schrift keerzijde |
Latin |
| Opschrift keerzijde |
EAST AFRICA & UGANDA PROTECTORATES 1/2 1909 |
| Rand |
Smooth |
| Muntplaats |
|
| Oplage |
1909 - - 900 000
|
| Numisquare-ID |
7824715430 |
Historical Context: The 1909 East Africa 1/2 Cent, issued under King Edward VII (reigned 1901-1910), signifies a pivotal era in British colonial administration. This coin circulated within the East Africa Protectorate, a territory consolidating under British rule, later forming Kenya. Its issuance underscores the establishment of a standardized monetary system, crucial for facilitating trade and integrating the local economy into the broader imperial network. The 1/2 Cent denomination served as essential small change for daily transactions.
Artistry: The obverse features the dignified uncrowned bust of King Edward VII, facing right. This portrait was primarily the work of George William de Saulles, Chief Engraver at the Royal Mint, reflecting the prevalent Edwardian Realism in British coinage. The reverse design typically presents the denomination "1/2 CENT" and the legend "EAST AFRICA 1909", often surmounted by the Imperial Crown. This design adheres to the functional and clear aesthetic common for colonial issues, ensuring legibility and immediate recognition.
Technical/Grading: Struck in copper-nickel, weighing 1.94 grams and measuring 20.2 mm, this coin exhibits characteristics typical of its alloy and era. Key high-points for grading include the hair above Edward VII's ear, his mustache and beard, and the raised elements of the crown and lettering on the reverse. Well-struck examples will show clear separation in hair details and sharp definition in the legends. Wear commonly manifests first on these prominent features, gradually softening the finer details of the portrait and crown.