| 发行方 | Sion, Bishopric of |
|---|---|
| 年份 | 1776-1777 |
| 类型 | Standard circulation coin |
| 面值 | 1/2 Batzen (1⁄56) |
| 货币 | Thaler (1475-1780) |
| 材质 | Billon |
| 重量 | 1.9 g |
| 直径 | 21 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Coin alignment ↑↓ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | KM#33, HMZ 1#2-1072 |
| 正面描述 | Mitre above four-fold arms. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | F. FRID. AM: BUEL EP. SE. |
| 背面描述 | Small double-headed eagle above shield with stars that divides date. |
| 背面文字 | Latin |
| 背面铭文 | COM. ET PRÆ. REIP. VALL. 7 6 |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
1776 - - 1776 DS - - 1776 DST - - 1777 - - 1777 DS - - 1777 DST - - |
| Numisquare 编号 | 1088437260 |
| 附加信息 |
Historical Context: This 1/2 Batzen was issued during the episcopate of Franz Friedrich von Busold, Prince-Bishop of Sion (Sitten) from 1760 to 1782. Dated 1776-1777, this coin belongs to the late Ancien Régime, a period of relative stability in Valais before the French Revolution. As an ecclesiastical principality of the Holy Roman Empire, Sion's right to coinage symbolized its imperial immediacy and autonomy within the Old Swiss Confederacy. This fractional denomination served the daily economic needs of the populace.
Artistry: Its design blends late Baroque and nascent Neoclassical styles, simplified for fractional billon issues. Engraver attribution is unrecorded, likely a local mint master. The obverse typically features the Prince-Bishop's bust or armorial bearings, surmounted by a mitre and crozier, signifying his dual spiritual and temporal authority. The reverse displays the denomination and date, often encircled by a wreath or simple legend, adhering to established heraldic numismatic traditions.
Technical/Grading: Struck on a 21mm, 1.9g billon flan, this coin often exhibits characteristics of high-volume fractional issues. High-points for wear or strike weakness include the Prince-Bishop's effigy (hair, cheekbone) or the mitre's apex on the coat of arms. Billon is susceptible to planchet imperfections, uneven strikes, and environmental toning, often with a darker, uneven patina. Full strikes are uncommon, with softness in legends or details due to worn dies or insufficient striking pressure.