カタログ
| 発行体 | Maritime Southeast Asia |
|---|---|
| 年号 | 1700-1800 |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | |
| 材質 | Gold |
| 重量 | 0.13 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | 9 o`clock ↑← |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Kri/Mih#D930 |
| 表面の説明 | Punchmark with singular, thick and deep letter. |
|---|---|
| 表面の文字体系 | Brahmi |
| 表面の銘文 | |
| 裏面の説明 | Blank with a slash/bisected bulge |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1700-1800) - - |
| Numisquare ID | 5370560930 |
| 追加情報 |
Historical Context: This minute 1/128 Baht gold coin represents a fascinating 'pseudo-anonymous' issue from Maritime Southeast Asia, circulating between 1700 and 1800. While no specific ruler or issuing authority is named, the Baht denomination strongly suggests economic influence from the Siamese monetary system, possibly indicating trade links or regional emulation. Such small, high-value gold fractions were crucial for facilitating small-scale, high-value transactions or as ceremonial tokens in a period of dynamic regional commerce and political flux, often issued anonymously to ensure broader acceptance across diverse polities.
Artistry: Given its minuscule size and pseudo-anonymous nature, specific engraver attribution is impossible. The artistry reflects the practicalities of striking extremely small gold coinage, typically featuring simplified, often symbolic designs rather than elaborate portraiture or complex heraldry. Common motifs for such regional issues might include abstract geometric patterns, stylized floral elements, or simplified auspicious symbols, executed with local craftsmanship. The design would prioritize legibility and recognition within a localized context, emphasizing function over intricate artistic detail.
Technical/Grading: At just 0.13 grams, the technical execution of this 1/128 Baht coin presents significant challenges. Such minute gold pieces commonly exhibit weak strikes, often off-center, due to the difficulty of precisely aligning dies and applying adequate pressure to such a small flan. High-points of the design are typically shallow and prone to wear or incomplete striking. Flan irregularities, including uneven thickness or irregular shapes, are also common. Grading would heavily consider the completeness of the central design, even if softly struck, and the overall integrity of the tiny flan.