Catalog
| Issuer | Comtat Venaissin |
|---|---|
| Year | 1692 |
| Type | Standard circulation coin |
| Value | 1⁄12 Ecu = 5 Sols (1/4) |
| Currency | Livre Tournois |
| Composition | Silver (.9167) |
| Weight | 1.26 g |
| Diameter | 20 mm |
| Thickness | |
| Shape | Round |
| Technique | |
| Orientation | Coin alignment ↑↓ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | MIR#2180, Munt#127, Berman#2327 |
| Obverse description | Bust facing right. |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
INNOCEN XII • P • M • A • II 1692 (Translation: Innocent 12th Supreme Pontiff Year 2) |
| Reverse description | Inscription in cursive letters |
| Reverse script | Latin (cursive) |
| Reverse lettering | P L C |
| Edge | Plain |
| Mint | |
| Mintage |
1692 - A. II - |
| Numisquare ID | 1025587880 |
| Additional information |
Historical Context: This 1⁄12 Ecu, struck in 1692, originates from the Comtat Venaissin, a papal enclave within France. Issued under Pope Innocent XII (1691-1700), whose papacy focused on reforms against nepotism and charitable works, it also acknowledges Cardinal Pietro Ottoboni, a prominent art patron and Papal Legate. This coin underscores the Papacy's temporal sovereignty, administered via a local representative in a strategically important region.
Artistry: The design reflects the late Baroque aesthetic common in papal numismatics. Though the engraver is undocumented, the artistry was likely overseen by Legate Ottoboni, known for his discerning taste. The obverse typically features Cardinal Ottoboni’s intricate heraldic arms, surmounted by a cardinal’s hat, symbolizing his delegated authority. The reverse displays Innocent XII’s papal arms, with tiara and crossed keys, affirming ultimate ecclesiastical sovereignty. The design emphasizes dignity, legitimacy, and intertwined secular and spiritual power.
Technical/Grading: Struck in .9167 fine silver, this 20 mm, 1.26 gram coin presents specific grading challenges. High-points for wear and strike quality include the intricate details of both the cardinal’s and papal coats of arms, particularly elements within the escutcheons, mantling, and the definition of the papal tiara and keys. Due to the modest planchet size and variable striking pressures, weakness often appears in finer details and peripheral legends. A strong, even strike fully rendering these heraldic elements without flatness or off-centring is highly desirable and rare.