1⁄100 Unit

Đơn vị phát hành Sri Ksetra Kingdom
Năm 300-700
Loại Standard circulation coin
Mệnh giá 1 Centime (0.01)
Tiền tệ
Chất liệu Silver
Trọng lượng 0.10 g
Đường kính 9.5 mm
Độ dày 0.3 mm
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng Medal alignment ↑↑
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo
Mô tả mặt trước The Srivatsa symbol (the Temple of Sri, fertility goddess) with sun and moon above.
Chữ viết mặt trước
Chữ khắc mặt trước
Mô tả mặt sau Blank.
Chữ viết mặt sau
Chữ khắc mặt sau
Cạnh
Xưởng đúc
Số lượng đúc ND (300-700) - -
ID Numisquare 6076848930
Thông tin bổ sung

Historical Context: This 1/100 Unit silver coin originates from the Sri Ksetra Kingdom, a prominent Pyu city-state flourishing in Lower Burma between 300 and 700 CE. This period marks the zenith of Pyu civilization, characterized by extensive trade networks and the adoption of Indian cultural and religious practices, notably Buddhism. While specific rulers are often unrecorded on these early issues, the coinage reflects a highly organized state with a sophisticated monetary economy, facilitating commerce within the kingdom and with neighboring regions. This fractional denomination underscores the breadth of their economic system.

Artistry: The engraver of this minute coin remains anonymous, typical for ancient Pyu issues. Stylistically, Pyu coinage draws heavily from Indian artistic traditions, particularly the Gupta and post-Gupta periods, evidenced in its Buddhist iconography. Given its diminutive size of 9.5 mm, the design would be necessarily minimalist yet symbolically potent. Common motifs for such fractional units often include highly stylized auspicious symbols like a simplified Srivatsa or a solar/lunar emblem, representing prosperity and cosmic order, reflecting the kingdom's syncretic religious landscape.

Technical/Grading: Struck in silver, this 0.10-gram coin measures a mere 9.5 mm, presenting significant challenges for consistent striking. High-points, typically the central device or any peripheral elements, are frequently incomplete or exhibit flatness due to the limited pressure of early striking methods. The flan itself is often irregular or slightly off-center, a common characteristic for such minute issues. Preservation of detail, even minor elements, is paramount for higher grades, as wear quickly obliterates the already delicate design. The thinness of the flan also makes it susceptible to bending or damage.

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