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1 000 000 B.‑Pengő

Uitgever Magyar Nemzeti Bank
Jaar 1946
Type Log in om details te zien
Waarde 1 000 000 Billions Pengos (1 000 000 B.‑ Pengő)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde EGYMILLIÓ B.-PENGŐ
BUDAPEST, 1946 ÉVI JÚNIUS HÓ 3.-ÁN
MAGYAR NEMZETI BANK
FŐTANÁCSOS
ELNÖK
VEZÉRIGAZGATÓ
A BANKJEGYHAMISÍTÁST A TÖRVÉNY BÜNTETI
(Translation: One million billion Pengoes / Budapest, 3 June 1946 / Hungarian National Bank / Chief Councillor / President / Director General / Counterfeiting banknotes is punishable by law)
Beschrijving keerzijde The reverse is dominated by a full-width dark brown intaglio vignette rendered after Géza Mészöly's painting "At the Shore of Lake Balaton", with tall trees in the foreground and figures alongside boats at the water's edge. An ornate vertical panel to the left incorporates the Hungarian coat of arms, while a corresponding panel to the right carries the inscription "EGY MILLIÓ". Repeating denomination text runs along both the upper and lower margins of the composition.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

By the time this note entered circulation in mid-1946, Hungary's hyperinflation had already exceeded anything recorded in monetary history. The pengő was collapsing so rapidly that the National Bank printed denominations in the billions and trillions within weeks of this million-pengő issue — the B.-pengő unit itself, shorthand for billió-pengő (one trillion pengő), was introduced precisely because the existing numerical vocabulary had become unworkable for everyday transactions.

Helbing Ferenc and Géza Mészöly were both established figures in Hungarian graphic arts, but the quality of their work here was largely irrelevant — notes of this series circulated for days, not months, before losing all practical value.

MISSCHIEN OOK INTERESSANT