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0 Euro - RKS Radomsko
| Uitgever | Eurosouvenirs (European Central Bank licensed souvenir) |
|---|---|
| Jaar | 2020 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Euro |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | RKS RADOMSKO EUROSOUVENIR 2020-1 0 EURO SOUV ENIR JAN BENIGIER SREBRNY MEDALISTA IO MONTREAL '76 R. FAILLE C.E.O. PLAD * * * * * (Translation: RKS RADOMSKO 2020-1 0 EURO SOUV ENIR JAN BENIGIER SILVER MEDALIST OF THE MONTREAL '76 OLYMPIC GAMES R.FAILLE C.E.O. PLAD) |
| Beschrijving keerzijde | Standard Eurosouvenirs reverse with six European architectural landmarks rendered in intaglio vignettes: the Brandenburg Gate (Berlin), Tower of Belém (Lisbon), Eiffel Tower (Paris), Colosseum (Rome), Sagrada Família (Barcelona), and Manneken Pis (Brussels); the Mona Lisa portrait occupies the right panel, with '0€' denomination and 'EURO SOUVENIR' lettering across the face. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
RKS Radomsko is a Polish football club founded in 1910, making it one of the older sports clubs in the Łódź region. The 0 Euro souvenir program, administered under ECB license, has become an unlikely vehicle for hyperlocal Polish civic pride — football clubs, regional museums, and small-town anniversaries appearing on a format that has no legal tender status anywhere but carries genuine collector demand across Central Europe.
Małgorzata Pławecka-Jasek is among the Polish designers who have worked repeatedly within this program. Oberthur's cotton substrate and watermark inclusion give the piece more physical credibility than its face value suggests.