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| 表面の説明 | Green intaglio print on a light background with a central portrait vignette of José Gervasio Artigas facing forward, framed by olive and laurel branches drawn from the Uruguayan coat of arms. Serial letters in black appear at upper center-left and lower right, with red eight-digit serial numbers at lower right and upper left; denomination numerals in relief occupy all four corners, with the issuer name in relief at top center. A black circular overprint reading 'N$ 0,50 / LEY N 14.316' within a guilloche stamp is applied over the watermark area at left, constituting the revaluation overprint. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Green intaglio print on a light background with a central landscape vignette of the Rincón del Bonete hydroelectric dam. Denomination numerals in relief appear at all four corners, the denomination in full letters runs along the lower margin, and the printer's imprint is placed along the bottom edge. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Uruguay's 1975 monetary reform lopped three zeros off the peso, converting 500 old pesos to half a new one. Rather than commission entirely new stock, the Banco Central authorized existing Thomas De La Rue–printed 500 Peso notes to be overprinted with the new denomination — a cost-cutting measure that was common across Latin America during inflationary redenominations but produced notes that circulated only briefly before purpose-designed issues replaced them.
Overprint alignment varies noticeably across surviving examples, a consequence of applying a secondary impression to pre-issued stock rather than controlling registration at the original press run.