Каталог
| Эмитент | Rubi |
|---|---|
| Год | 300 BC - 225 BC |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | Drachm |
| Состав | Bronze |
| Вес | 2.88 g |
| Диаметр | 13 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | HN Italy#818 , SNG ANS 1#727 France#1398-1400 , Weber#470 , BMC Greek#10 , HGC 1#633 |
| Описание аверса | Head of Athena wearing crested Corinthian helmet right; K above. |
|---|---|
| Письменность аверса | Greek |
| Надписи аверса | Κ |
| Описание реверса | Owl standing to right on olive branch. |
| Письменность реверса | Greek |
| Надписи реверса | ΡΥBAΣTEINΩN ΛI |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (300 BC - 225 BC) - - |
| ID Numisquare | 9126942900 |
| Дополнительная информация |
Historical Context: This Æ issue from Rubi, an ancient city in Apulia, Magna Graecia, dates from 300 BC to 225 BC. This period saw Southern Italy caught between indigenous Italic tribes, Greek colonists, and the rising power of Republican Rome. Rubi’s bronze coinage reflects a city asserting local identity and economic autonomy. Crucial for daily commerce when silver was scarce, these denominations illustrate the gradual integration of Apulian communities into the Roman sphere following the Samnite and Pyrrhic Wars.
Artistry: While the specific engraver is anonymous, this coin originates from a local workshop influenced by Late Classical and Early Hellenistic Greek stylistic traditions common in Magna Graecia. Typical designs for Rubi bronzes feature a deity head on the obverse, rendered with naturalism characteristic of the era, albeit with regional variations. The reverse commonly displays an animal or civic emblem, reflecting local veneration or pride. The overall aesthetic, though not always highly refined, effectively conveys its intended iconography.
Technical/Grading: Struck on a small, 13mm bronze flan weighing 2.88 grams, this Æ piece exhibits characteristics common to local bronze issues. High points, typically on the highest relief elements like a deity's hair or facial features, or an animal's musculature, are often the first to show wear. Strike quality varies, frequently displaying off-centering or uneven pressure, leading to areas of flatness. A well-centered strike with strong details on both sides would be considered exceptional for this type.