Katalog
| İhraççı | Sidion |
|---|---|
| Yıl | 300 BC - 275 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 2.53 g |
| Çap | 15 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HN Italy#822 , BMC Gr/It#1-2 , HGC 1#646 |
| Ön yüz açıklaması | Laureate head of Zeus right. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Herakles standing right, leaning on club set on rock to right. |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | ΣΙΔΙΝΩΝ |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (300 BC - 275 BC) - - |
| Numisquare Kimliği | 8677256080 |
| Ek bilgiler |
Historical Context: This Æ coinage was issued by the ancient Oscan city of Sidion (Sidicinum) in Campania between 300 BC and 275 BC. This period marks a pivotal era in central Italy, characterized by the waning of Samnite power and the ascendance of Roman influence. As an independent city-state, Sidion's issuance of its own bronze currency signifies its economic autonomy and local self-governance, facilitating daily commerce within its territory. These coins served as instruments for local transactions during a time of significant political and cultural transition.
Artistry: The artistry of Sidion's bronze issues from this period would typically reflect a blend of indigenous Oscan traditions and the pervasive Hellenistic Greek stylistic influences prevalent across Campania. While specific engraver details are unknown, the designs would have aimed to convey civic identity and pride. Common numismatic iconography of the era often featured deities, mythological figures, or personifications relevant to the city's foundation or prosperity, executed with varying degrees of sculptural refinement.
Technical/Grading: Technically, this Æ coin, weighing 2.53 grams and measuring 15 millimeters, represents a common small denomination for daily use. Bronze coinage of this period frequently exhibits characteristics such as irregular flans, often cast before striking, and variable strike quality. High-points for wear would depend on the specific iconography, but generally, relief details on the highest parts of the design would be the first to show attrition. Off-center strikes and minor die wear are common observations for these issues, reflecting the hand-striking methods.