カタログ
| 発行体 | Knossos |
|---|---|
| 年号 | 220 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 4.52 g |
| 直径 | 19 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Variable alignment ↺ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SvoronosCr#122-124 , SNG Copenhagen#378 , BMC Greek#36 , GCV#3228 |
| 表面の説明 | Europa on bull left, below two dolphins. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Labyrinth. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | KNΩΣIΩN |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (-220) - - |
| Numisquare ID | 4944040200 |
| 追加情報 |
Historical Context: This Æ coin from Knossos, minted circa 220 BC, highlights the city's enduring autonomy amidst a tumultuous Hellenistic period on Crete. A dominant city-state, Knossos navigated complex alliances and frequent conflicts with other Cretan polities and external powers like Macedon. The late 3rd century BC saw widespread mercenary activity and shifting political landscapes, making local bronze currency vital for daily commerce, military expenditure, and asserting civic identity. Knossos, an oligarchic republic, prominently leveraged its ancient heritage to maintain its influence.
Artistry: The design typically showcases Knossos's distinct artistic traditions, influenced by broader Hellenistic trends. The obverse frequently features a finely rendered head of Demeter or Persephone, often veiled and wreathed with grain, embodying the city's agricultural prosperity. The reverse commonly depicts the iconic Labyrinth, a potent symbol of Knossos's mythical past and its legendary association with King Minos. While engravers remain anonymous, the stylistic school emphasizes naturalistic portraiture and intricate symbolic representations, characteristic of Hellenistic artistic sophistication.
Technical/Grading: Struck in bronze, weighing 4.52 grams and measuring 19 millimeters, this coin represents a common denomination for daily transactions. High-points for preservation on the obverse include the deity's hair, facial features, and wreath details. On the reverse, the intricate lines of the Labyrinth or the Minotaur's musculature are critical. Bronze issues of this period often exhibit varying strike quality, from sharp impressions to weaker strikes, especially on the periphery, or minor flan irregularities and porosity typical of the metallurgy.