Catalogus
| Uitgever | Rubi |
|---|---|
| Jaar | 300 BC - 225 BC |
| Type | Standard circulation coin |
| Waarde | |
| Valuta | Drachm |
| Samenstelling | Bronze |
| Gewicht | 9.95 g |
| Diameter | 21 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | HN Italy#814 , SNG ANS 1#723-724 France#1392-1395 , de Luynes#229 , HGC 1#631 |
| Beschrijving voorzijde | Laureate head of Zeus to right. |
|---|---|
| Schrift voorzijde | Greek |
| Opschrift voorzijde | Θ C |
| Beschrijving keerzijde | Eagle with spread wings perched on thunderbolt to left; sometimes, crescent above. |
| Schrift keerzijde | Greek |
| Opschrift keerzijde | ΡΥΨ |
| Rand | |
| Muntplaats | |
| Oplage |
ND (300 BC - 225 BC) - - |
| Numisquare-ID | 2405419160 |
| Aanvullende informatie |
Historical Context: This Æ issue from Rubi, an ancient Daunian city in Apulia, Magna Graecia, dates to 300-225 BC. This period was critical for southern Italy, marked by the Pyrrhic Wars and growing Roman influence. Despite these pressures, Rubi maintained its autonomy, issuing bronze coinage to facilitate local commerce. This currency underscores the city's economic vitality and independent civic identity amidst the gradual Romanization of the Italian peninsula.
Artistry: While the engraver remains anonymous, typical for bronze issues, the coin reflects a stylistic school rooted in classical Greek traditions. Common designs for Rubi bronzes often feature a dignified head of a divinity, such as Athena or Zeus, on the obverse. The reverse frequently depicts an animal or local agricultural symbol, blending pan-Hellenic artistic influence with specific civic identity. Details like drapery or animal musculature showcase the period's artistic skill.
Technical/Grading: Struck on a substantial bronze flan (9.95 grams, 21 millimeters), this coin’s technical quality varies. High-points for wear include the highest relief areas: hair and facial features on the obverse, and body or wings on the reverse. A well-struck example shows sharp details, especially in eyes and musculature, with minimal off-centering. Flan irregularities, common for ancient bronzes, are expected but should not obscure critical design elements, indicating a strong, full strike.