Catalogue
| Émetteur | Rubi |
|---|---|
| Année | 300 BC - 225 BC |
| Type | Standard circulation coin |
| Valeur | |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 1.57 g |
| Diamètre | 15 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HN Italy#819 , SNG ANS 1#728-730 France#1385-1387 , Weber#471 , BMC Greek#11 , HGC 1#635 |
| Description de l’avers | Laureate head of Zeus right. |
|---|---|
| Écriture de l’avers | Greek |
| Légende de l’avers | ΓΡϹΕΕ |
| Description du revers | Tyche standing left, holding patera and cornucopiae. |
| Écriture du revers | Greek |
| Légende du revers | ΡΥ |
| Tranche | |
| Atelier | |
| Tirage |
ND (300 BC - 225 BC) - - |
| ID Numisquare | 1961970710 |
| Informations supplémentaires |
Historical Context: This Æ from Rubi, an ancient Messapian city in Apulia, dates from 300-225 BC, a critical period in Magna Graecia. This era saw escalating Roman expansion, compelling local city-states to navigate complex alliances. The bronze coinage signifies Rubi's economic autonomy and the necessity for local currency in daily commerce. It reflects the city's enduring civic identity and resilience amidst the encroaching power of Rome and the broader Hellenistic world.
Artistry: The engraver, typical for bronze issues of this period, remains anonymous. The coin's design adheres to the Hellenistic artistic tradition of Magna Graecia, often with local Apulian interpretations. The obverse commonly featured a prominent deity head, reflecting a patron god important to Rubi, rendered with classical idealism. The reverse typically displayed a civic emblem, animal, or mythological figure, serving as a clear identifier and conveying cultural messages.
Technical/Grading: Weighing 1.57 grams and measuring 15 millimeters, this Æ served as a modest denomination for local transactions. High points for wear and strike quality include the highest relief areas on the obverse portrait (e.g., hair, diadem) and the central features of the reverse motif. Bronze flans are often irregular, and strikes can vary in centering and pressure. A well-struck example exhibits full detail, though off-centering and minor weaknesses are common for this ancient type.