Uncia

İhraççı Capua
Yıl 216 BC - 211 BC
Tür Standard circulation coin
Değer Uncia (0.1)
Para birimi As (circa 216-211 BC)
Bileşim Bronze
Ağırlık 5.68 g
Çap 17 mm
Kalınlık
Şekil Round (irregular)
Teknik Hammered
Yönlendirme Variable alignment ↺
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) HN Italy#495 1#215 France#513 Gr/It#16 Copenhagen#339 Morcom#90 , Weber#296 , SambonArt#1038 , Laffaille#11
Ön yüz açıklaması Head of Hera wearing a diadem, a sceptre on shoulder.
Ön yüz yazısı
Ön yüz lejandı
Arka yüz açıklaması Two veiled archaic cult statues below open fillet; tripod-like object to left and kapu to right.
Arka yüz yazısı Old Italics
Arka yüz lejandı
(Translation: kapu)
Kenar
Darphane
Basma adedi ND (216 BC - 211 BC) - -
Numisquare Kimliği 9521588220
Ek bilgiler

Historical Context: This Capuan Uncia dates to a tumultuous period, 216-211 BC, following Capua's defection to Hannibal after the Battle of Cannae during the Second Punic War. This coin represents the brief, ill-fated period of Capuan autonomy from Rome, under Carthaginian protection. Its issuance reflects the city's assertion of independent sovereignty and its need for local currency during a time of intense conflict, before its brutal recapture by Rome in 211 BC, which led to severe Roman retribution and the loss of its civic institutions.

Artistry: While no specific engraver is attributed, this Uncia embodies the local Campanian artistic traditions prevalent in Magna Graecia. The designs typically feature a classical deity on the obverse, such as Jupiter or Minerva, often rendered with a distinct regional style characterized by robust features. The reverse commonly depicts an eagle or a lion, frequently accompanied by a corn ear, symbolizing Capua's agricultural prosperity, all executed in a Hellenistic-influenced idiom typical of Southern Italian mints.

Technical/Grading: Struck in bronze with a weight of 5.68 grams and a diameter of 17 millimeters, this Uncia exhibits the variable technical qualities typical of wartime bronze issues. High-points for grading typically include the highest relief elements of the obverse portrait, such as the hair, facial features, and any headdress. On the reverse, the musculature or intricate details of the animal are crucial. The strike quality can range from well-centered to slightly off-flan, with potential for porosity or casting flaws common to the fabric of these emergency issues.

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