Catalog
| Issuer | Massalia |
|---|---|
| Year | 480 BC - 470 BC |
| Type | Standard circulation coin |
| Value | Tritartemorion m (1/8) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 0.5 g |
| Diameter | 7.5 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | LT#336 |
| Obverse description | Lion devouring its prey, right |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Incuse punches |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (480 BC - 470 BC) - - |
| Numisquare ID | 2687426680 |
| Additional information |
Historical Context: Massalia, a significant Greek colony in Gaul, issued this silver Tritartemorion between 480 and 470 BC. This period, the Early Classical era, saw profound economic and cultural development for Greek poleis. As a vital trading hub, Massalia established extensive commercial networks. The issuance of fractional coinage like the Tritartemorion, crucial for daily transactions, highlights the city's sophisticated economy and independent control over its monetary supply, solidifying its status as a powerful, self-governing entity.
Artistry: The artistry of this Tritartemorion, constrained by its diminutive size, reflects the stylistic transition from Archaic to Early Classical. The engraver is anonymous, typical for this era. Massalian coinage frequently features a head on the obverse, often Artemis or a local nymph, rendered with developing naturalism yet retaining stylized rigidity. The reverse typically bears a simplified symbol, such as a wheel or monogram, adapting common Massalian motifs to the limited flan, blending Greek artistic tradition with practical numismatic execution.
Technical/Grading: This Tritartemorion, weighing 0.5 grams and 7.5 millimeters, presents specific technical considerations. High-points on the obverse (e.g., hair, facial features) and reverse (e.g., wheel spokes, monogram edges) are often susceptible to weak striking or wear. Due to manual striking, minor flan irregularities, slight off-centering, or areas of flatness are common. A well-struck example exhibits a full design on both sides, with clear details despite the inherent challenges of striking such a small silver planchet.