Catalog
| Issuer | Aetolian League |
|---|---|
| Year | 230 BC - 220 BC |
| Type | Standard circulation coin |
| Value | 1 Triobol = 3 Obol = 3⁄6 Drachm (1/2) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 2.85 g |
| Diameter | 14.0 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | BCD Akarnania#463 |
| Obverse description | Head of Aitolia to right, wearing kausia and single pendant earring. |
|---|---|
| Obverse script | Greek |
| Obverse lettering | Λ Υ |
| Reverse description | Kalydonian boar standing right; in exergue, spearhead to right. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (230 BC - 220 BC) - - |
| Numisquare ID | 9179007690 |
| Additional information |
Historical Context: This Triobol was issued by the Aetolian League during its zenith (230-220 BC). As a dominant federal state in central Greece, the League significantly expanded its influence, frequently clashing with Macedon and the Achaean League. This silver denomination reflects the League's economic stability and assertion of sovereignty, funding its extensive mercenary forces and administration. The coinage served as both a medium of exchange and a potent symbol of their collective identity and strength amidst Hellenistic power struggles.
Artistry: While the engraver remains anonymous, this coin exemplifies Hellenistic stylistic tradition, known for naturalism and robust heroic portrayals. The obverse typically features a finely rendered head of Aetolos, the eponymous hero, depicted with a strong profile and flowing hair, embodying the League's martial spirit. The reverse often displays a prominent symbol of Aetolian power, such as a spearhead or the Calydonian boar, executed with sharp, purposeful lines, reflecting their military prowess.
Technical/Grading: Struck on a compact silver flan (14.0 mm, 2.85 gg), the technical execution of these Triobols varies. High-points for the obverse portrait include hair details, forehead, and nose, often the first areas to show wear or incomplete strike. On the reverse, the spearhead's tip and central rib are critical for assessing strike quality. Off-center strikes or minor die wear are common, but well-centered examples with strong relief on both sides are highly prized, revealing the full artistic intent.