کاتالوگ
| صادرکننده | Samos |
|---|---|
| سال | 512 BC |
| نوع | Standard circulation coin |
| ارزش | 3 Obols (1/2) |
| واحد پول | Drachm |
| ترکیب | Silver |
| وزن | 1.61 g |
| قطر | 10.0 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered, Incuse |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | SNG Fitzwilliam#4634, HGC 6#1994 |
| توضیحات روی سکه | Facing head of a panther. All within square of pellets. |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Head of an ox to left, within a square border pellets enclosing a border of pellets. All within an incuse square. |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (-512) - - |
| شناسه Numisquare | 6438921090 |
| اطلاعات تکمیلی |
Historical Context: This silver triobol from Samos, dated to 512 BC, emerges from the rich Archaic period of Greek numismatics. Samos, a prominent Ionian island city-state, was a vital maritime power and trading hub. Issued shortly after the Polykratean tyranny and during evolving Persian influence, it underscores the island's economic resilience. As a half-drachm, it served as a crucial denomination for daily transactions, reflecting the widespread monetization of its vibrant economy.
Artistry: While the individual engraver remains anonymous, typical for this early period, the coin exemplifies the Archaic Greek stylistic school. The obverse prominently features a lion's scalp, a powerful and iconic Samian emblem, rendered with characteristic stylized rigidity. The reverse typically displays a simple quadripartite incuse square, a common early Greek punch mark, sometimes containing a small device. This design reflects the nascent stages of numismatic art, prioritizing symbolic recognition over intricate detail.
Technical/Grading: Struck on a compact 10.0 mm flan weighing 1.61 grams, this triobol exhibits typical Archaic fabric. Key high-points for preservation assessment include the lion's muzzle, eyes, and mane. Strike quality varies; off-center strikes are common, potentially obscuring peripheral design. The reverse incuse square often shows clear punch impressions, and the planchet shape may be irregular. A well-centered, sharply struck example for the period would be highly desirable, showcasing full design elements.