Catalog
| Issuer | Arcadian League |
|---|---|
| Year | 300 BC - 275 BC |
| Type | Standard circulation coin |
| Value | 1 Trichalkon = 3 Chalkoi = 3⁄48 Drachm (1⁄16) |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 3.85 g |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | BCD Peloponnesos#1539.1, SNG Copenhagen#202 |
| Obverse description | Laureate head of Zeus facing left |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | League monogram above syrinx. Π-M flanking and thunderbolt below |
| Reverse script | Greek |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (300 BC - 275 BC) - - |
| Numisquare ID | 9440278080 |
| Additional information |
Historical Context:The Trichalkon of Megalopolis, issued by the Arcadian League between 300 BC and 275 BC, reflects the dynamic Early Hellenistic Peloponnese. Megalopolis, founded as a strategic Arcadian capital against Spartan power, maintained its significance amidst the struggles of the Diadochi and the rise of new Greek leagues. This bronze denomination served as essential small change for daily commerce, underscoring the city-state's economic autonomy and its role within the Arcadian confederation amidst shifting regional conflicts.
Artistry:The coin's design exemplifies the Late Classical to Early Hellenistic Greek stylistic school, blending idealized forms with nascent realism. The obverse typically features a laureate head of Zeus Lykaios, patron deity of Mount Lykaion, rendered with a dignified countenance. The reverse commonly depicts Pan, the Arcadian god of shepherds, seated on a rock, holding his lagobolon, often accompanied by an eagle. While no specific engraver is attributed, the artistry displays competent craftsmanship, capturing the essence of these significant local deities.
Technical/Grading:Struck in bronze, this Trichalkon, weighing 3.85 grams, typically exhibits a fabric common to base metal issues of the period. High points on the obverse include Zeus's brow, nose, and the highest curls of his hair. On the reverse, Pan's head, shoulders, and the eagle's details are most susceptible to wear or weak strike. Due to the nature of bronze flans and striking methods, examples often present with varying degrees of centering and strike pressure. Surface preservation is a critical factor, as bronze coins are prone to environmental corrosion.