| Issuer | Larissa Kremaste |
|---|---|
| Year | 400 BC - 350 BC |
| Type | Standard circulation coin |
| Value | Trichalkon (1⁄16) |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 5.81 g |
| Diameter | 18 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | BCD Thessaly II#400 |
| Obverse description | Bare head of Achilles to right, border of dots. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Thetis, wearing long chiton and holding shield of Achilles with his monogram on it, seated left on hippocamp; below, in front of her feet, dolphin to right and downwards. |
| Reverse script | Greek |
| Reverse lettering | ΛΑΡΙ |
| Edge | |
| Mint | |
| Mintage |
ND (400 BC - 350 BC) - - |
| Numisquare ID | 1512663630 |
| Additional information |
Historical Context: This Trichalkon was issued by Larissa Kremaste in Thessaly during a dynamic period of Greek history, 400-350 BC. Following the Peloponnesian War, Thessaly experienced shifting alliances and internal power struggles, influenced by larger Greek states and emerging Macedon. Larissa, a leading city-state, utilized bronze coinage like the trichalkon for everyday economic transactions, reflecting its civic autonomy and the needs of a bustling local economy, crucial for commerce and infrastructure.
Artistry: While the engraver of this Trichalkon remains anonymous, its design adheres to the refined aesthetic principles of the Late Classical Greek stylistic school. Thessalian mints, particularly Larissa, were celebrated for their exquisite depictions of the eponymous nymph Larissa. The obverse typically features her finely sculpted head, characterized by idealized features and flowing hair, embodying the city's identity. The reverse would commonly display an equestrian motif or another local symbol, executed with a keen understanding of form.
Technical/Grading: This bronze trichalkon, 5.81 gg and 18 mm, exhibits characteristics typical of its fabric and period. High points on the nymph's portrait, such as hair curls, forehead, and nose, are particularly susceptible to wear. Technical strike quality can vary, with some examples showing minor planchet irregularities or slight off-centering, common for bronze issues. Preservation is judged by the extent of wear to these high points, clarity of devices, and the quality and stability of its patination, crucial for bronze coinage.