Catalogo
| Emittente | Austrasia, Kingdom of |
|---|---|
| Anno | 650-685 |
| Tipo | Standard circulation coin |
| Valore | 1 Tremissis (⅓) |
| Valuta | Tremissis (476-670) |
| Composizione | Gold |
| Peso | 1.24 g |
| Diametro | |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | Variable alignment ↺ |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | Prou Mer#1212 , Delmonte G#16 , Belfort#1728 |
| Descrizione del dritto | Diademed bust right. |
|---|---|
| Scrittura del dritto | Latin |
| Legenda del dritto | DEONANTI |
| Descrizione del rovescio | Standing cross. |
| Scrittura del rovescio | Latin |
| Legenda del rovescio | ABOLINO |
| Bordo | |
| Zecca | |
| Tiratura |
ND (650-685) - - |
| ID Numisquare | 7359267800 |
| Informazioni aggiuntive |
Historical Context: The Tremissis of Abolinus from Dinant originates from the Merovingian Kingdom of Austrasia (650-685), a period of declining royal power and rising influence for the Mayors of the Palace. This era fostered significant decentralization, with local mints, often controlled by powerful magnates, becoming key coin producers. The Tremissis, a gold coin weighing one-third of a solidus, served as the standard high-value currency, underscoring local economic autonomy and facilitating trade in fragmented post-Roman Gaul.
Artistry: The coin’s design showcases the distinctive Merovingian artistic style, a clear departure from classical Roman realism towards abstraction. Abolinus, the moneyer, represents the mint's output. The obverse typically features a schematic, diademed bust, often a degenerate imitation of earlier imperial prototypes. The reverse commonly displays a cross or monogram, surrounded by the mint name (DINANTO) or moneyer’s name (ABOLINO). This aesthetic prioritizes symbolic representation over naturalistic depiction, characteristic of early medieval Germanic art.
Technical/Grading: Struck on a characteristically irregular gold flan weighing 1.24 grams, this Tremissis often exhibits variable strike quality, typical of Merovingian issues. High-points for wear are generally the forehead and nose of the obverse bust and the central intersection of the reverse cross. Inscriptions, frequently blundered or semi-legible, are crucial for attribution. Collectors assess centering, die wear, and the completeness of legends and central devices, as off-center strikes and weak areas are common. A full, well-centered strike with clear legends is highly desirable.