Catalog
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| Issuer | Uncertain Eastern European Celts |
|---|---|
| Year | 200 BC - 1 BC |
| Type | Log in to see details |
| Value | Tetradrachm (4) |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Log in to see details |
| Reverse lettering | ΣHOΣV ZHOΣZ ITNMH N И |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | ND (200 BC - 1 BC) |
| Additional information |
The Thasian tetradrachm became a template for Celtic imitators across the Balkans and Danube basin after Thasos resumed striking silver in bulk following its liberation from Macedonian control in 196 BC. Celtic tribes didn't simply copy — they progressively abstracted the prototype across generations of die-cutting, so that later specimens in the sequence show the original design dissolved into near-unrecognizable schematic forms. Göbl's class III placement puts this piece well into that degenerative sequence.
Attribution to a specific tribe remains impossible without hoard provenance.