Tetradrachm - Attambelos I Charax-Spasinou

Issuer Kingdom of Characene (Mesopotamia)
Year 43 BC
Type Standard circulation coin
Value Tetradrachm (4)
Currency Drachm
Composition Silver
Weight 15.12 g
Diameter 30 mm
Thickness
Shape Round (irregular)
Technique Hammered
Orientation Medal alignment ↑↑
Engraver(s)
In circulation to
Reference(s) BMC Greek#5
Obverse description Diademed head of Attambelos I to right. Dotted border.
Obverse script
Obverse lettering
Reverse description Herakles seated left, holding club set on knee; in upper left field, monogram; below Herakles` arm, X; in exergue, ΟΣ.
Reverse script Greek
Reverse lettering BAΣIΛEΩΣ ATTAMBHΛOY ΣΩTHPOΣ KAI EYEPΓETOY
Edge
Mint
Mintage 270 (43 BC) - -
Numisquare ID 4671883240
Additional information

Historical Context: This silver tetradrachm, issued in 43 BC, hails from the Kingdom of Characene, a vital Hellenistic state situated at the head of the Persian Gulf. It was struck during the reign of Attambelos I, a significant ruler who skillfully navigated the complex political landscape between the declining Seleucid Empire, rising Parthian power, and Roman expansion. Characene, with its capital Charax Spasinou, flourished as a crucial trade emporium, and Attambelos I's coinage reflects the kingdom's economic prosperity and enduring Hellenistic cultural identity amidst regional shifts.

Artistry: The coin's design adheres to the Hellenistic numismatic tradition, though likely executed by local engravers. The obverse typically features a finely rendered, diademed portrait of King Attambelos I, showcasing a blend of idealized Greek portraiture with more individualized, realistic features. The reverse commonly depicts a seated figure, often Herakles or Zeus, accompanied by Greek legends detailing the ruler's name and title. This fusion of Greek iconography and local interpretation is characteristic of Characene's unique cultural synthesis.

Technical/Grading: Struck on a substantial silver flan weighing 15.12 grams and measuring 30 millimeters, this tetradrachm exhibits good metal quality. High-points for the obverse portrait include the diadem, hair, and facial features, which are often well-defined, though slight die wear can sometimes soften details. The reverse typically shows strong strike on the seated deity's head and musculature. Minor off-centering or flan irregularities are not uncommon for the period but generally do not detract from the impressive strike quality of these substantial issues.

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