Katalog
| Emitent | Amphipolis, City of |
|---|---|
| Rok | 362 BC - 361 BC |
| Typ | Standard circulation coin |
| Hodnota | Tetradrachm (4) |
| Měna | Drachm |
| Složení | Silver |
| Hmotnost | 14.12 g |
| Průměr | 26 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered, Incuse |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | AMNG III#5, Jameson#1942 |
| Popis líce | Laureate head of Apollo, three-quarters facing to right. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Race torch, with flame to right and with a small tripod to left, within a linear square surrounded by a square raised border; all within a shallow incuse square. |
| Písmo rubu | Greek |
| Opis rubu |
ΑΜΦ-IΠΟ-ΛΙΤ-ΕΩΝ (Translation: Amphipolis) |
| Hrana | |
| Mincovna | |
| Náklad |
ND (362 BC - 361 BC) - - |
| ID Numisquare | 4967901500 |
| Další informace |
Historical Context: Issued by the city of Amphipolis between 362 and 361 BC, this silver tetradrachm marks a pivotal era. Strategically vital, controlling access to Mount Pangaion's rich silver mines, Amphipolis was fiercely contested by Athens and Macedon. This coinage asserts the city's economic strength and independence, shortly before its conquest by Philip II of Macedon in 357 BC. These issues underscore Amphipolis's sovereignty and regional trade importance.
Artistry: The coin's design exemplifies the zenith of Late Classical Greek numismatic art. Though no engraver is identified, the consistent quality suggests a master workshop. The obverse features a magnificent, laureated head of Apollo, facing right, rendered with remarkable naturalism and flowing locks, a hallmark of the period's stylistic school. The reverse depicts a race torch, often within a square incuse, accompanied by the ethnic inscription AMFIPOLITON, likely alluding to local festivals.
Technical/Grading: Struck on a broad silver flan (14.12 grams, 26 millimeters), this tetradrachm adheres to the Attic standard. High-points for wear on the obverse include Apollo's forehead, nose, and central laurel wreath. On the reverse, the torch flame and central bands are most susceptible to attrition. Well-preserved examples exhibit a strong, even strike, often with excellent centering, revealing full details of the masterfully engraved dies and pristine silver.