カタログ
| 発行体 | Nagidos |
|---|---|
| 年号 | 400 BC - 360 BC |
| 種類 | Standard circulation coin |
| 額面 | Tetartemorion (1⁄24) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 0.23 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SNG Levante#3 |
| 表面の説明 | Head of Aphrodite right, hair bound in sphendone |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Torso with phallus |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | Ν-Α-Γ-Ι |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (400 BC - 360 BC) - - |
| Numisquare ID | 7993191270 |
| 追加情報 |
Historical Context: This silver tetartemorion was issued by the ancient Greek city of Nagidos in Cilicia during the Late Classical period, approximately 400-360 BC. Nagidos, strategically located on the southern coast of Asia Minor, was a significant trading center. While often under the broader influence of the Achaemenid Persian Empire, Cilician cities like Nagidos maintained a degree of civic autonomy, evidenced by their prolific coinage. The issuance of such tiny fractional denominations, representing one-quarter of an obol, underscores a sophisticated monetary economy reliant on small change for daily transactions and local commerce.
Artistry: The engraver of this minute coin remains anonymous, typical for civic issues of the era. Despite its minuscule size (0.23g), the coin adheres to the Late Classical Greek stylistic school, characterized by a move towards naturalism and refined detail, albeit highly miniaturized. Common obverse types for Nagidos feature the head of Dionysos, while reverses often depict a bunch of grapes or a simplified figure of Aphrodite. The challenge lay in rendering recognizable iconography on such a diminutive flan, requiring exceptional skill in die-sinking to imbue these tiny representations with clarity and artistic merit.
Technical/Grading: Struck in silver, this tetartemorion weighs a mere 0.23 grams, making it one of the smallest denominations produced. Due to the diminutive flan and the manual striking process, examples often exhibit technical imperfections. High-points, such as the hair curls of Dionysos or the individual grapes, are prone to weakness or flatness. A well-centered strike with full detail on both sides is exceedingly rare, as off-center strikes, irregular flan shapes, and partial impressions are common. The overall condition is highly dependent on the quality of the original strike and subsequent preservation.