Catálogo
| Emissor | Kolophon |
|---|---|
| Ano | 450 BC - 410 BC |
| Tipo | Standard circulation coin |
| Valor | Tetartemorion (1⁄24) |
| Moeda | Drachm |
| Composição | Silver |
| Peso | 0.3 g |
| Diâmetro | 7 mm |
| Espessura | 1 mm |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | Milne Col#31 |
| Descrição do anverso | Head of Apollo right, laureate. |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Value as monogram within incuse square. |
| Escrita do reverso | Greek |
| Legenda do reverso | TE |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (450 BC - 410 BC) - - |
| ID Numisquare | 1060574800 |
| Informações adicionais |
Historical Context: This silver tetartemorion, struck by the Ionian city of Kolophon between 450 and 410 BC, hails from the High Classical period of Greek numismatics. Kolophon, a significant member of the Delian League in Asia Minor, was known for its wealth, derived from agriculture and its famous oracle of Apollo at Klaros. The issuance of such minute fractional coinage, representing one-quarter of an obol, underscores the sophisticated economic infrastructure of the era, facilitating everyday commerce in a rapidly monetizing society.
Artistry: The design, typical of Kolophon's coinage, likely features a laureate head of Apollo on the obverse, rendered in a refined High Classical style, characterized by dignified yet naturalistic portrayal. While the engraver remains anonymous, the artistry reflects the general aesthetic advancements of the period despite the coin's diminutive 7mm flan. The reverse typically bears a lyre, symbolizing Apollo and the city's close association with his oracle, often depicted with simplified elegance due to the restricted space.
Technical/Grading: Given its minute dimensions (0.3 gg, 7 mm), this tetartemorion presents inherent challenges for striking and preservation. High-points for the Apollo obverse include the hair, nose, and chin, while the lyre's strings and frame constitute reverse high-points. Examples typically exhibit weak or off-center strikes, often leaving parts of the design off-flan or poorly defined. Full striking and clear details are exceptionally rare, making well-centered examples with legible types highly desirable for their historical significance.