Katalog
| Emitent | Olympia |
|---|---|
| Rok | 460 BC - 440 BC |
| Typ | Standard circulation coin |
| Hodnota | 1 Stater = 3 Drachm |
| Měna | Drachm |
| Složení | Silver |
| Hmotnost | 12.27 g |
| Průměr | 26 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | BCD Olympia#28 |
| Popis líce | Eagle flying towards the right, grasping a snake with its talons and its beak. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Thunderbolt with volutes above and wings below. Letter split on each side of the thunderbolt. All in incuse circle. |
| Písmo rubu | Greek |
| Opis rubu | F A |
| Hrana | |
| Mincovna | |
| Náklad |
ND (460 BC - 440 BC) - - |
| ID Numisquare | 5452926370 |
| Další informace |
Historical Context: Issued by the sanctuary of Olympia between 460 and 440 BC, this silver stater belongs to the early Classical period, a golden age following the Persian Wars. While not tied to a single ruler, its production reflects the immense pan-Hellenic prestige and economic activity surrounding the Olympic Games. Such coinage facilitated trade and served as dedicatory offerings, symbolizing the sanctuary's authority and the profound cultural significance of the athletic festivals, potentially commemorating the 82nd Olympiad (452 BC) or other games.
Artistry: This stater exemplifies the Severe Style, a crucial transition in Greek art from Archaic rigidity to Classical naturalism. Though the engraver remains anonymous, the design typically features a dignified head of Zeus, often laureate, on the obverse, rendered with solemn grandeur and idealized features. The reverse frequently depicts an eagle, Zeus's sacred bird, standing or flying, executed with remarkable anatomical precision and powerful symbolism. The artistry conveys a sense of gravitas and divine majesty, characteristic of the era's sculptural achievements.
Technical/Grading: Struck on a broad silver flan weighing 12.27 grams and measuring 26 millimeters, this stater demonstrates the robust fabric typical of its period. High-points for the obverse Zeus would include the brow, nose, and intricate details of the hair and beard. On the reverse, the eagle's breast, wing articulation, and talons are critical strike areas. Well-centered examples with strong, even strikes are highly prized; however, minor flatness or die wear is not uncommon given the manual striking process.