Catalogue
| Émetteur | Kyivan Rus |
|---|---|
| Année | 980-1015 |
| Type | Standard circulation coin |
| Valeur | 1 Srebrenik (Nogata, Serebro) |
| Devise | Grivna |
| Composition | Billon |
| Poids | |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | Figure of Prince Vladimir holding cross in left hand. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (980-1015) - - |
| ID Numisquare | 1097344850 |
| Informations supplémentaires |
Historical Context: The Srebrennik of Vladimir the Great marks the genesis of indigenous coinage in Kyivan Rus, minted during 980-1015. Vladimir I Sviatoslavich, pivotal in consolidating the Rus state and its conversion to Orthodox Christianity in 988, issued these coins as a powerful assertion of sovereignty and economic independence. Alongside the rarer Zlatniks, the Srebrennik solidified Rus’s standing among European powers, signaling a profound shift from reliance on foreign currency to a self-sufficient monetary system.
Artistry: The Srebrennik's design, reflecting nascent local minting, shows strong Byzantine influence, particularly from contemporary miliaresia. The obverse typically features a haloed bust of Vladimir holding a cross or scepter, accompanied by an Old Church Slavonic inscription like "Vladimir na stole." The reverse proudly displays the Rurikid dynastic emblem, the "Trident" (Tryzub), encircled by further inscriptions. Engravers, likely local artisans, adapted foreign styles to create a distinctly Rus numismatic identity.
Technical/Grading: As early medieval billon coinage, Srebrenniks frequently exhibit technical inconsistencies. High-points for grading include clarity of Vladimir's facial features, definition of the cross/scepter, distinctness of the Trident’s prongs, and legibility of Old Church Slavonic legends. Strikes are often off-center, leading to partial designs or legends. Planchets are typically irregular in shape and thickness, and metal flow can be uneven, resulting in weak strikes or areas of flatness. Die wear varies, with later strikes showing significant detail loss.