Catalog
| Issuer | Brettii |
|---|---|
| Year | 211 BC - 208 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 3.97 g |
| Diameter | 18 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG ANS 3#112, HN Italy#1989 |
| Obverse description | Winged bust of Nike left; thunderbolt below. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Zeus driving galloping biga left; grape cluster below. |
| Reverse script | Latin |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (211 BC - 208 BC) - - |
| Numisquare ID | 1691971500 |
| Additional information |
Historical Context: This Semuncia, minted by the Brettii between 211 BC and 208 BC, reflects a tumultuous period during the Second Punic War. Issued while the Brettii were allied with Hannibal against Rome, it highlights their struggle for autonomy. Hannibal’s presence in Bruttium forced local polities to choose sides. The Brettii, an indigenous Italic people, adopted Roman fractional denominations but maintained distinct local iconography, symbolizing their resistance and complex political identity amidst the broader conflict.
Artistry: While the engraver remains anonymous, typical for bronze issues, the Semuncia exhibits characteristics of the Magna Graecian stylistic school, infused with local Brettian interpretations. The design often features a robustly rendered head of a deity, such as Zeus or Hera, on the obverse, reflecting Hellenistic influence with distinctive vigor. The reverse commonly displays a local symbol, like a crab or dolphin, indicative of Bruttium’s coastal identity. This blend of classical motifs with indigenous symbolism underscores the Brettii’s cultural syncretism.
Technical/Grading: This Æ18 semuncia, weighing 3.97 grams, typically presents with variable strike quality, common for small bronze denominations. High-points, such as a deity’s hair and facial features or a reverse symbol’s raised elements, often show weakness or flatness due to inconsistent striking pressure. Centering can also vary, occasionally resulting in partial loss of design elements. The bronze planchet is generally sturdy, though minor casting imperfections are not uncommon, contributing to its character as a practical wartime issue.