See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

Repousse Punch Pagoda - Dileepa Irivanolamba Nolamba Feudatories of Gajapatis

Issuer Nolamba Feudatories of the Gajapatis (Indian states)
Year 940-967
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight 3.78 g
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering (Translation: Shri Parijwala Nolamba)
Reverse description The reverse is essentially plain, displaying only the incuse bracteate impressions corresponding to the repousse punches visible on the obverse, a characteristic feature of the bracteate hammering technique employed in the production of this issue. No inscriptions, devices, or decorative elements are independently present on the reverse field.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

The Nolamba chiefs who issued these pieces occupied an awkward political position — nominally subordinate to the Ganga Gajapatis but effectively autonomous across the upland tracts between the Eastern Ghats and the Deccan plateau. Dileepa Irivanolamba's reign falls within a period when Nolamba authority was being steadily compressed by Chola expansion from the south and Rashtrakuta pressure from the west. That a gold coinage was maintained at all under those conditions says something about the residual extractive wealth of the region.

The repousse technique — hammering sheet gold over a die rather than striking a cast blank — produces the characteristic domed surface and diffuse detail seen on these pieces.

YOU MAY ALSO LIKE