Catalogo
| Emittente | Senones |
|---|---|
| Anno | 100 BC - 52 BC |
| Tipo | Standard circulation coin |
| Valore | 1 Potin |
| Valuta | |
| Composizione | Potin |
| Peso | 3.29 g |
| Diametro | 18 mm |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Cast |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | LT#7434, DT#2653, GCV#143 |
| Descrizione del dritto | Grotesque head left with pellet in front of the mouth. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Crude horse prancing left under an ark of pellets. |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | |
| Zecca | |
| Tiratura |
ND (100 BC - 52 BC) - - |
| ID Numisquare | 3701350540 |
| Informazioni aggiuntive |
Historical Context: This potin coin was issued by the Senones, a significant Gallic tribe inhabiting the region of modern-day Sens, France. Dating from 100 BC to 52 BC, its production coincides with the tumultuous period preceding and during Julius Caesar's conquest of Gaul. Such coinage facilitated local commerce and military payments amidst increasing Roman influence and inter-tribal conflicts, underscoring the tribe's economic autonomy and political identity before their eventual subjugation. The Senones were notably active in the Gallic Wars, playing a role in events like the siege of Alesia.
Artistry: The obverse features a highly stylized "Indian head" facing left, a common Celtic reinterpretation of classical prototypes, often rendered with distinctive, abstract features. The reverse displays a dynamic horse, a pervasive and symbolic motif in Celtic numismatics, embodying strength and prestige. The anonymous engraver's work exemplifies the unique Celtic artistic school, characterized by bold lines and a departure from naturalistic representation, creating a powerful, almost totemic, visual language distinct from Greco-Roman naturalism.
Technical/Grading: Composed of potin, a copper-based alloy, this coin (3.29 gg, 18 mm) was likely cast rather than struck, resulting in a characteristic granular surface and often less precise detail compared to struck issues. High-points for the obverse "Indian head" include the forehead and prominent facial contours; for the reverse horse, the mane and musculature. Variations in casting quality are common, leading to significant differences in the clarity of the design elements and overall flan integrity, with off-center casts and incomplete details being frequent occurrences.