Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Margraviate of Austria (Duchy of Austria, Austrian States) |
|---|---|
| Year | 1110-1130 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Variable alignment ↺ |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Long cross with beaded arms dividing the field into four quarters, each containing a symbol or letter; the quadrants display crescent-like ornaments and what appear to be triangular or arrow-like devices. The overall design is rendered in the bold, somewhat crude relief characteristic of early medieval Austrian hammered coinage. A beaded inner circle frames the central cross motif, and the irregular flan edge bears traces of a beaded border. |
|---|---|
| Obverse script | Latin |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
Leopold III — later canonized in 1485 and named patron saint of Austria — ruled during a period when the Babenberg margraves were consolidating authority and expanding their ecclesiastical patronage aggressively. The bracteate-style pennies of this period were produced at a handful of Austrian mints whose precise locations remain disputed among specialists. CNA B8 is among the thinner-documented Babenberg types, and attribution to Leopold III rather than adjacent reigns rests primarily on stylistic die analysis rather than documentary evidence.