Katalog
| Emittent | Eryx (Sicily) |
|---|---|
| Jahr | 400 BC - 340 BC |
| Typ | Standard circulation coin |
| Nennwert | Onkia (1⁄12) |
| Währung | Litra |
| Material | Bronze |
| Gewicht | 3.4 g |
| Durchmesser | 15 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | CNS#284 2#329 |
| Aversbeschreibung | Head of nymph, right, wearing taenia, necklace and earrings. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Horse standing right; all 4 legs on ground. |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (400 BC - 340 BC) - - |
| Numisquare-ID | 3662981110 |
| Zusätzliche Informationen |
Historical Context: The Onkia, issued by the ancient Sicilian city of Eryx between 400 BC and 340 BC, represents a critical period in its history. Strategically vital due to its fortified position and renowned temple of Aphrodite, Eryx navigated complex political landscapes, often caught between Carthage and Syracuse. This bronze denomination served as essential small change, facilitating daily commerce within the city, particularly when larger silver denominations were less accessible. Its issuance underscores Eryx's economic autonomy and the necessity of a stable local currency.
Artistry: While the specific engraver of this modest bronze Onkia remains anonymous, its design adheres to broader stylistic traditions of Western Greek coinage from the late Classical period. Typical Eryxian bronzes often feature a prominent deity head on the obverse, frequently Aphrodite, reflecting the city's strong cultic association. The reverse commonly displays a local symbol or animal, executed with a robust, simplified aesthetic characteristic of utility coinage, aiming for clear recognition.
Technical/Grading: Measuring 15mm and weighing 3.4 grams, this Onkia's strike quality is typical for its type and period. High points, like a deity's hair or an animal's musculature, are often the first areas to show wear. Examples frequently exhibit planchet irregularities, off-center strikes, or areas of weakness due to the bronze striking process. The fabric is susceptible to environmental degradation, making well-preserved examples with strong strikes and minimal corrosion highly desirable.