Catalog
| Issuer | Sasanian Empire |
|---|---|
| Year | 240-270 |
| Type | Standard circulation coin |
| Value | Obol (1⁄72) |
| Currency | Dinar (224 AD-651 AD) |
| Composition | Silver |
| Weight | 0.65 g |
| Diameter | 15 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) |
| Obverse description | |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | |
| Reverse script | |
| Reverse lettering | |
| Edge | Smooth |
| Mint | |
| Mintage |
? - - |
| Numisquare ID | 1012577340 |
| Additional information |
Historical Context: This silver obol belongs to the reign of Shapur I, second King of Kings of the Sasanian Empire (240-270 CE). Shapur I’s era marked a pivotal period of consolidation and expansion for the nascent Sasanian state. He strengthened the empire founded by his father, Ardashir I. His reign is renowned for military victories against the Roman Empire, including the capture of Emperor Valerian, solidifying Sasanian dominance in the Near East. This small denomination facilitated daily commerce.
Artistry: While the specific engraver remains anonymous, typical for Sasanian coinage, this obol exemplifies the early Sasanian numismatic school. The obverse features a right-facing bust of Shapur I, often wearing a distinctive crown with a korymbos or sphere, symbolizing his divine authority. The Pahlavi legend, when legible, identifies him as "Mazda-worshipping god Shapur, King of Kings of Iran and non-Iran." The reverse consistently displays the Zoroastrian fire altar, flanked by two attendants, underscoring the state religion.
Technical/Grading: Given its diminutive size (15mm) and weight (0.65g), this obol presents specific technical considerations. High-points for wear or strike quality often include the king's crown, beard details, and the fire altar flames. Due to the small flan size relative to the dies, full strikes with complete legends are uncommon; partial or off-center strikes are frequent. Flans can be irregular. Collectors assess the preservation of key iconographic elements and overall centering, which impacts visual appeal.