Catalog
| Issuer | Neapolis (Macedon) |
|---|---|
| Year | 500 BC - 480 BC |
| Type | Standard circulation coin |
| Value | Obol (⅙) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 0.94 g |
| Diameter | 10.0 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG ANS 7#423 |
| Obverse description | Facing gorgoneion with protruding tongue |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Quadripartite incuse square |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (500 BC - 480 BC) - - |
| Numisquare ID | 5551989710 |
| Additional information |
Historical Context: This silver obol, issued by Neapolis (Macedon) 500-480 BC, belongs to the late Archaic to early Classical period. As a vital Greek port and Thasian colony, Neapolis played a crucial role in regional trade, interacting with Thracian tribes and other Aegean city-states amidst rising Persian influence. The minting of this small denomination highlights Neapolis's economic autonomy and participation in the Hellenic monetary system, facilitating local commerce.
Artistry: The engraver remains anonymous, typical for this period. The coin's artistry reflects the transitional Archaic-Early Classical stylistic school. The obverse usually features a frontal Gorgoneion, a common apotropaic symbol for Neapolis, rendered with characteristic stiff symmetry and stylized features of the era, subtly hinting at developing naturalism. The reverse invariably displays a simple quadripartite incuse square, a vestige of early minting, prioritizing functional utility over elaborate design.
Technical/Grading: At 0.94 grams and 10.0 millimeters, this obol is a diminutive coin, often presenting striking challenges. For the Gorgoneion, high-points like the forehead, nose, and central facial features are frequently weak. The reverse's incuse square can also exhibit uneven strike pressure. Given its small, often irregular flan, off-center strikes are common, with planchets typically showing minor surface imperfections. Well-centered examples with strong strike detail are highly sought after.