Catalog
| Issuer | Thelpusa |
|---|---|
| Year | 370 BC - 350 BC |
| Type | Standard circulation coin |
| Value | Obol (⅙) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 0.73 g |
| Diameter | 12.0 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG Copenhagen#318, BCD Peloponnesos#1758 |
| Obverse description | Head of Demeter Erinys facing right, wearing an earring and a necklace with the letter Θ below chin |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | The horse Areion prancing right with the letter Θ below |
| Reverse script | Greek |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (370 BC - 350 BC) - - |
| Numisquare ID | 2141978210 |
| Additional information |
Historical Context: This silver obol from Thelpusa, struck 370-350 BC, provides a tangible link to a turbulent period in ancient Arcadia. Following the Battle of Leuctra and the decline of Spartan hegemony, the Peloponnese underwent significant political restructuring. Thelpusa, a relatively minor Arcadian city, asserted its civic identity and economic independence through coinage, likely participating in the Theban-backed Arcadian League. These issues reflect the city's need for local currency in a regional economy marked by shifting alliances.
Artistry: The diminutive 12.0 mm size of this obol presented considerable challenges for the die engraver, yet it embodies the refined Peloponnesian stylistic tradition of the late Classical period. While specific engraver identities remain elusive for such minor issues, the artistry reflects a local interpretation of broader Greek numismatic conventions. The design, often featuring a deity or local nymph on the obverse and an animal or civic emblem on the reverse, would have been rendered with careful attention to proportion despite the constrained flan.
Technical/Grading: Struck on a 0.73 gg flan, this obol exhibits characteristics typical of small denomination ancient Greek coinage. Due to the manual striking process, centering can vary, and the flan itself may display an irregular shape. Key high-points, such as hair and facial features of a portrait or musculature of an animal, are critical for assessing wear and strike quality. A well-centered strike with strong relief on both sides, particularly on finer details, signifies superior technical execution for this challenging format.