See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

Ōban 'Kyōhō Ōban'

Issuer Tokugawa Shogunate (Edo Mint / Kinza)
Year 1725-1837
Type Log in to see details
Value Log in to see details
Currency Ōban (1588-1874)
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Large hand-hammered oval gold plate bearing vertical hand-brushed calligraphic inscription in grass script (sōsho) reading '拾両後藤' (Ten Ryō, Gotō) in the central field. Four paulownia (kiri) crest stamps are applied symmetrically along all four sides of the oval. A characteristic hand-executed horizontal crenellated border pattern (kebori) runs across the upper and lower portions of the planchet, a hallmark of the Gotō workshop's artisanal production. The overall design reflects the Japanese tradition of handcrafted official gold currency rather than mechanically struck coinage.
Obverse script Log in to see details
Obverse lettering



(Translation: Ten Ryō Gotō)
Reverse description Log in to see details
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

The Kyōhō Ōban was issued following the Kyōhō monetary reforms of 1716–1736, a sweeping fiscal overhaul initiated by Shōgun Tokugawa Yoshimune in response to the currency debasements of his predecessor Tsunayoshi. Yoshimune's administration deliberately returned large-denomination gold coinage to higher fineness standards, reversing nearly two decades of degraded issues. The Ōban was never a circulation coin in any practical sense — it functioned as a gift piece exchanged between lords and presented to the Shōgun, with face value largely ceremonial.

Each piece was hand-finished at the Kinza and ink-brushed with the assayer's signature in sumi, making every example technically unique. The long production window across multiple Shōguns means assayer signatures vary considerably.

YOU MAY ALSO LIKE